English

Pál Láphaft: The curve of Nyx’s uncovered neck

Pál Láphaft: The curve of Nyx’s uncovered neck

At the exhibition of György Verebes
/Publised in Magyar Szó in October 2008/

When the light on our forehead and our eyes get tired, when space becomes boundless, when all complete around us crack, we should lift our hands to our face, so light inside us becomes strong, so the pictures open up from the shadow. Mudra, the Sleeping Titans, and the curve of Nyx’s slim nack. Our inner lights blaze up, where the proud ego, and the dazzling outer space fade. Our hands are our most faithfull companions. When we get tired, on the seventh day our hands lift us and cover us up. When our hands, feet, and head get heavy, when our eyes get tired, we should stop. We should let the titans, the genesis, and the essence of painting sleep. Let the great canvases at the Zenta exhibition of György Verebes sleep. We should put aside all our notes, and all the pictures we took, find a chair and sit in front of a smaller painting. Nyx. The pink curve of this woman’s uncovered neck tells us all about the essence of creation.

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Ernő Verebes: SLEEPING TITANS

Musing on the exhibition of György Verebes

 

”I want to sit and listen, I want to hear the voice of God inside me.”
(Psalm 84/85, 9)

Over the past twenty years we both have been haunted not by the spirit of the same place, but by the same spirits: György Verebes, and I.  Therefore I am well aware of the origins of the pictures showing at this exhibition. I am not unfamiliar with the motivations and powers, which led the painter’s hands, as he created the colours, the shadows, the outlines of the figures, or – speaking in general – the visual imprints of the real meaning on the canvas. I was only sensing the meaning back than, now I am aware of it.

To be aware of and to sense. These are not contradictional but additional ideas: they complete each other. Because suggestion, which is far beyond sensing, can only be based on a profound, confident, and unambiguous knowledge. This is what Meister Eckhart, a 13th century christian mystic might have referred to in his time. He said: „I catch sight of something, and it flares up in my intellect. I feel that it is good, but I can never understand, what it really is. I only sense, that if I could catch it, I would be aware of the complete truth.”

This kind of a knowledge can also be found in the creation of these pictures. It is made unambiguous by delineation while using the tools of suggestion.

A contemporary painting can rarely be received unambiguously, but can be explained by everyone – we have been taught so by the compulsion of reference, when we first looked at a contemproary painting.  A true receiver, however, looks at a painting as a child looks to its mother: with an absolute devotion, that doesn’t require any explanation. In a situation like this, there is beauty instead of words, and there is situation above beauty. These are but contemplations.  It seems for example, that these dim faces – besides being faces of titans according to György Verebes – would love to withdraw behind the canvas, disappear into nothingness. As if they would suggest, that this is their unconscious fate, since their  presence has never been measurable for flesh-and-blood  human beings. Therefore the fact, that here and now they can live as representatives of a universal inwardness, is based paradoxically not on their existence, but  on the absence of their  very existence. Beautiful androgens, but strangely enough, they are sexually polarized.  Probably they are lucky in, that they can appear among us in this form – it doesn’t matter to them, but we can only recognize them, if they are translated into our divided „human” appearance. A semi-god is unimaginable in space, and indescribable with words. It is not where, and it is not when. That is why a semi-god can not be familiar with the idea of vanity, although great ancient storytellers tried to adorn them with bad characteristics. But if all this is correct, the moment of them facing us will never happen, and that is why they can only be the pillars of our scale of values indirectly. Maybe this makes the existence of semi-gods archetypical:  on one hand they are persistent, since they are strangers. And on the other hand they are fatally aristocratic. So the semi-gods are not proud and worn accessories of a myth, but continuously existent intensities, undeclared radiations of our existence, noble bastards of a still secretly guarded God-king. They are wisely smiling hopes of fitting bodyparts, and when we realize, that they help to put themselves together with their own hands, the puzzle will be more easier for us. For they have painted their own faces with their own hands, before they tuned away their faces from their trunks, leaving it for the number one carrier of creation. Nevertheless, there is an invisible body pulsing between these faces and hands. It is our body, and it is nothing but the absence between hand and face. It is but a non-existent absence, since at the same moment it is filled with curious glances, and realizations followed by quiet sighs. It is filled with the energy, which revives the life part between the face and the hand, together with backbone and heart, so in the end the muscle springs would be released, and the trunk would move, this carrying-all mean, that on these pictures only exists through the eyes of the viewer. If the viewer identifies itself with this, the metaphor flyes up high, the holy despair of the unspoken, the all-containing yet homeless destination,  where on the noname streets and squares misbehaving ghost memories bury their truth by stuffing eras, castles, heroes, and poor, making space for true, time dropping thinking on. What have they been made into by the stories, which we call history? These improvised, steel wool installations first came to light, when the first conscious man opened its eyes, and realized, that it does not see, what there is, but there is what it sees. Quoting the mystic: „A picture is created by the soul with its powers.” And thus the semi-gods became, what they had to become in order to make us think back to our lost time, as we think back to a pair of goves or to a carnival mask we incidentally left at a ball.

Those gloves and masks would fit their relaxed hands and self-dreaming faces.

 

Item,

in case György Verebes draws gloves and masks on a piece of paper next time, we might also find out, why and what those semi-gods dressed up to at the carnival, who aren’t semi-gods anymore, but the celebrating intellectuality itself, and the people celebrating this timeless intellectuality.

 

/Spoken in the Church Gallery, Eger, 3rd of May 2008/

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György Verebes: Sentences

György Verebes: Sentences

The greatest challenge of my painting is to make space seem real and illusional at same time.
Measure is independent in me. The awareness of sight, alertness is dream.

Behind closed eyesthe viewer, the sight, and the subject of the sight are the same.

„The gesture of the painter is but the imprint of the controlled energy floating from the awareness of vision.”

These paintings are not portaits at all.They are rather ancient patterns of human states in the conscoius space.

I am only interested in the question of actuality in respect of the moment. Here only can past, and possible be present simultaneously. The rest is beating around the bush.

„Greensoil and cadmium red, golden beige and cobalt indigo, organic and inorganic. Separete the iron from the soil by fire! The alchemy of colours is the awareness of sight. The awareness of sight is the certanity, that does not nees to be proved.

„There is no emotion on these faces, only the inner, timeless smile.”

The movement is the struggle of the Motionless.

Megosztás
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CV

CV

GYÖRGY VEREBES
(1965, Senta, Yugoslavia)

 

György VEREBES was born in Senta in Voivodina in 1965. After finishing chemistry technical school in 1985, he became a student of the graphics department at the Hungarian College of Fine Arts. After his graduation in 1989, he stayed on as an artist major getting his degree in 1992. His masters were Károly Raszler and Imre Kocsis. He has been dealing with painting since 1988.  He makes illustrations for books, works on stage designs and interior designs. Since 1990 he has been an active musician in several jazz and world music bands as a founding member, pianist and composer also making musical scores for theatre plays.  From 1997 to 2003 he worked as the art director of an advertisement graphics studio, and between 1998 and 2002 he was the art director of the Lurdy Gallery. He has been living at the Artist Colony in Szolnok, acting as the art manager of the Colony since 2003. Between 2007 and 2011 he also worked as a teacher at Secondary School of Art and Design in Budapest. Besides his activity as a painter, he regularly publishes articles and essays. He has been a member of the Old Artist Colony Cultural Association of Szentendre since 2011. He regularly participates in art camps in Hungary and abroad. He is a conceptional inventor and founding member of the Szolnok Art Society. In 2013 he was elected member of the executive board of “the Day of Hungarian Painting” Foundation, and later, in 2017 he was elected Chair of the same board. In 2017 he was awarded the Munkácsy Mihály Prize as a recognition of his professional achievement.

 

Solo exhibitions:

 

1986      Culture Centre, Kanjiža, Yugoslavia

1986      No1. Gallery, Senta, Yugoslavia

1988      Culture Centre, Senta, Yugoslavia

1989      Culture Centre, Senta, Yugoslavia

1990      Galerija Gracija, Sarayevo, Yugoslavia

1991      Kossuth Culture Centre, Szentendre

1992      FRAGMENTS FROM K.J.’S DIARY (Based on Ernő Verebes’s play ’Song from the dead woman’s house’) –Barcsay Hall of the Hungarian College of Fine Arts, Budapest

1993      Town Museum, Senta, Yugoslavia

1998      USELESS GODS – Town Library, Senta, Yugoslavia

1999      Lurdy Gallery, Budapest (with Tamás Gránicz and Elek Kerekes)

2001      Hozam Gallery, Szolnok

2003      SLEEPING TITANS – Gallery of the Artist Colony, Szolnok

2003      SLEEPING TITANS – Town  Museum, Senta

2004      Hungarian National Theatre, Budapest

2004      MUDRÁ – Cairo  Press Centre, Cairo, Egyyp (with Tamás Gránicz)

2005      MUDRÁ – Gallery  of the Artist Colony, Szolnok

2006      Gallery of Verseghy Ferenc County Library, Szolnok

2006      Gallery of the TISZApART Cinema, Szolnok (with Tamás Gránicz) / A sister event of the Day of Hungarian Painting

2006      INWARD – Zsókavár Gallery, Budapest

2006      Artitude Gallery, West End-Hilton, Budapest (with Tamás Gránicz)

2007      TITANS’ DREAM – Aba-Novák Culture Centre, Szolnok

2007      Town Gallery, Mezőtúr

2007      Gallery 1-3, Nyíregyháza (with Gábor Benő Pogány)

2007      Szatmári Museum, Mátészalka (with Gábor Benő Pogány)

2007      Hamza Museum, Jászberény / A sister event of the Day of Hungarian Painting

2008      Blaskovich Múzeum, Tápiószele

2008      Pannonia Gallery, Sopron

2008      Church Gallery, Eger

2008      TITANS’ HALL – the Day of Hungarian Painting / Kopaszi Dam, Bay Park, Budapest

2008      Town Museum, Senta (Serbia)

2009      Szolnok Gallery, Szolnok

2009      Dobó Tihamér Gallery, Kanjiža (Serbia) with Andreas Kuhnlein

2010      Zsáka Culture Centre, Zsáka

2010      Gaál Imre Gallery of the Pesterzsébet Museum, Budapest, with Eleonóra Pasqualetti

2011      Town Gallery, Tiszaföldvár

2011      Town Gallery, Bačka Topola (Serbia)

2012      Shed Theatre and Gallery, Viszák

2012      La Neuville en Hez, France, (with Pascal Leeman and Sophie Verger)

2013      Horváth Endre Gallery, Balassagyarmat

2013      Stefánia Gallery, Budapest

2013      Bod László Culture Centre, Berekfürdő (with Gábor Atlasz)

2014      Titans’ Hall, Aba-Novák Agóra Culture Centre, Szolnok

2015      The Book of Manu, the Lehel Cinema, Jászberény

2015      Whirling in Light, San Marco Gallery, Óbuda Culture Centre, Budapest

2016      The Book of Manu, Gróf I. Festetics György Culture Centre and Museum Collection, Hévíz

2016      Being Touched, Kóka Gallery, Budapest

2016      Pillars of the Body, Semmelweis Saloon, Budapest

2016      Borbás Mihály Showroom, Baja

2016      Pillars of the Body, Collegium Hungaricum, Belgrade, Serbia

2016      Gesture, Grifolino Museo, Budapest

2017      Újbuda Gallery, Budapest

2018      Opus, Józsefváros Gallery, Budapest

 

 

Selected group exhibitions:

 

1988      Venezuela, Caracas; HCFA Travelling Exhibition of Graphics

1988      Hungarian College of Fine Arts, Barcsay Hall, Budapest (6 artists)

1989      Galerija Studentska, Belgrade, International Meeting of Fine Arts Colleges

1989      Show of the Senta Art Colony, Town Museum, Senta

1990      Tata, Culture Centre (6 artists)

1990      Show of the Senta Art Colony, Town Museum, Senta

1990      Ernst Museum, Budapest / Studio 90

1990      Galerie Donguy, Paris, France (group B.A.B.)

1990      Galerie Faubourg Poisoniére, Paris, France (group B.A.B.)

1991      Galerie Hannelore Greve, Hamburg, Germany / 6 artists

1992      Hungarian College of Fine Arts, Barcsay Hall, Budapest

1992      Ernst Museum, Budapest / Studio 92

1993      Town Museum, Bečej, Yugoslavia / Show of the Bečej Art Colony

1993      Town Museum, Senta, Yugoslavia / Show of the Senta Art Colony

1994      Town Gallery, Bačka Topola, Yugoslavia / Show of the Bačka Topola Art Colony

1996      House of Danish Culture, Kecskemét / Show of the artists of the Kecskemét Collective Studio

1996      World Reunion of Hungarian Fine Artists, Budapest, House of Hungarian Culture

1997      Kecskemét Spring Show

1997      Memorial exhibition of the 300th anniversary of the battle of Senta / Town Museum, Senta, Yugoslavia

1997      Fine Arts Reunion, Subotica, Yugoslavia

1998      Town Museum, Bečej, Yugoslavia

1998      Bagoly u. Gallery, Kecskemét (4 artists)

1999      Lurdy Gallery, Budapest (7 artists)

1999      Show of the 9+1 Art Colony, Stara Moravica, Yugoslavia

2000      Guttmann Gallery, Budapest (5 artists)

2000      The 3rd thematic travelling exhibition of Hungarian Culture Society in Yugoslavia, Subotica, Bačka Topola, Senta, Novi Sad, Bečej; Hódmezővásárhely

2001      THE CHALLENGES OF THE NEW MILLENNIUM – The 4th thematic travelling exhibition of Hungarian Culture Society in Yugoslavia, Subotica, Bačka Topola, Senta, Novi Sad, Bečej;

2002      Show of the 9+1 Art Colony, Stara Moravica, Yugoslavia

2003      WHEEL- Show of the 13th Art Camp International Fine Arts Symposium, Gallery of the Artist Colony,

Szolnok

2003      Gargilesse, France (6 artists from the Szolnok Artist Colony)

2003      Church gallery, Eger / Selection of the works of the 101-year-old Szolnok Artist Colony

2003      Assembly Hall of the Town Court, Jászberény / Selection of the works of the 101-year-old Szolnok Artist Colony

2004      ONE AND A HALF – Gallery of the Artist Colony, Szolnok

2004      Festive exhibition of the artists of the Szolnok Artist Colony to celebrate EU membership / Saloon of the Town Hall, Szolnok

2004      THE TIME OF CELEBRATIONS – Christmas exhibition, Gallery of the Artist Colony, Szolnok

2005      GIGANTIC – Gallery of the Artist Colony, Szolnok / Zoltán Katona, Tibor Palkó, György Verebes /

2005      Vidovszky Béla Memorial Museum, Gyomaendrőd / Selection of the contemporary collection of the Szolnok Artist Colony

2005      Borostyán Culture Centre, Szolnok / exhibition of 5 artists from Voivodina

2005      11th  FINE ARTS TRIENNIAL – Town Gallery, Szolnok

2006      DICTATION – Show of the 16th Art Camp International Fine Arts Symposium, Gallery of the

TISZApART Cinema, Szolnok

2006      THE FREEDOM OF SACRIFICE (memorial exhibition honouring the 1956 Revolution) Szolnok Artist Colony, KERT Gallery

2006      SILVER QUADRANGLE – The Carpathians- Euroregion Painting Triennial, Poland. Romania. Hungary, Slovakia, Ukraine

2007      5 YEARS – Damjanich János Museum, Szolnok / the contemporary collection of the Szolnok Artist Colony

2007      SOURCE – Show of the 17th Art Camp International Fine Arts Symposium, Aba-Novák Gallery,

Szolnok

2007      Hungarian Artist Colonies, ArtMill, Szentendre

2007      PERFORMANCE, Senta Town Museum, Senta

2007      EROTICA – Gallery 1-3, Nyíregyháza

2007      TIME OF ANGELS – Pannonia Gallery, Sopron (4 artists)

2007      Youth Centre, Békéscsaba / exhibition of the KERT group

2007      Gallery 1-3, Nyíregyháza / exhibition of the KERT group

2008      SOURCE – Show of the 17th Art Camp International Fine Arts Symposium, MAMÜ Galéria, Budapest

2008      Bank Center, Budapest (4 artists)

2008      CHOICE VAM – VAM Design Center, Budapest

2008      Art Colony 2008, KERT Gallery of the Szolnok Artist Colony, Szolnok

2008      Village House, Tiszasüly / Selection from the works of the artists of the Szolnok Artist Colony

2008      AKTual – 9+1 Stara Moravica art colony, Serbia

2008      Town Gallery, Mezőtúr / Exhibition of the Mezőtúr Art Colony

2008      6DE KUNSTTRIENNALE VAN TERVUREN – Furament 2008, Tervuren, Belgium

2008      BLUE – GREEN – Show of the 18th Art Camp International Fine Arts Symposium, Jászberény, Szolnok

2008      Graphic art show of T-Art Foundation, Szolnok Gallery, Szolnok

2009      Art Colony 2009, KERT Gallery of the Szolnok Artist Colony, Szolnok

2009      JÁSSZENT, Show of the 18th Art Camp International Fine Arts Symposium, Jászberény

2009      Festive exhibition, KERT Gallery of the Szolnok Artist Colony, Szolnok

2010      41th Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2010      Art Colony 2010, KERT Gallery of the Szolnok Artist Colony, Szolnok

2010      IV. Articum Szolnok Fine Arts Biennial, Aba-Novák Gallery, Szolnok

2011      Art Colony 2011, ÖHP Gallery, Székesfehérvár

2011      Exhibition of the 30-year-old Mezőtúr Art Colony, House of Hungarian Creative Artists, Budapest

2011      Exhibition of the 30-year-old Mezőtúr Art Colony, Szolnoki Gallery, Szolnok

2011      42th Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2011      Show of the 9+1 Art Colony, Bácskossuthfalva, Serbia

2011      Art Colony 2011, KERT Gallery of the Szolnok Artist Colony, Szolnok

2011      7DE KUNSTTRIENNALE VAN TERVUREN Furament 2011, Tervuren, Belgium

2011      Town Gallery, Mezőtúr / Show of the Mezőtúr Art Colony

2011      58th Vásárhely Autumn Show, Hódmezővásárhely

2011      Autumn Show, Show of the Szentendre Artist Colony, Gallery of the Szentendre Szentendre Artist Colony, Szentendre

2011      The Day of Hungarian Painting, Mill Gallery, Szentendre

2011      Show of T-Art Foundation on the Day of Hungarian Painting, San Marco Gallery, Budapest

2011      The founding exhibition of the Szolnok Art Society, Szolnok Gallery, Szolnok

2011      Celebration 2011, KERT Gallery of the Szolnok Artist Colony, Szolnok

2011      Rabindranath Tagore 150, Indian Culture Centre, Budapest

2012      Rabindranath Tagore 150, ELTE BTK Gólyavár, Budapest

2012      Art Indulge, International Centre Goa

2012      Art Indulge, Wold Trade Centre, Mumbai

2012      Art Indulge, Hungarian Culture Institute, Delhi

2012      Show of the international art camp, Zmajevo, Serbia

2012      Art Colony 2012, KERT Gallery of the Szolnok Artist Colony, Szolnok

2012      Image-Space-Image, Show of the 21st Art Camp International Fine Arts Symposium, Jászberény

2012      The Day of Hungarian Painting, National Gallery, Budapest

2012      „HERE” Articum Fine Arts Biennial – exhibition of the Szolnok Art Society, Szolnok Gallery, Szolnok

2013      Art Junction, The Lalit, New Delhi, India

2013      44th Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2013      111 years of the Szolnok Artist Colony, Minerva House, Cluj-Napoca, Romania

2013      K.E.R.T., Gallery IX-XI, show of the Szolnok Artist Colony and the KERT group, Budapest

2013      11 years, KERT Gallery of the Szolnok Artist Colony, Szolnok

2013      La Neuville en Hez, France

2013      Show of T-Art Foundation on the Day of Hungarian Painting, San Marco Gallery, Budapest

2013      Guardians, exhibition of the Szolnok Art Society, Szolnok Gallery, Szolnok

2013      Still Life, Csepel Gallery, Budapest

2013      Celebration 2013, KERT Gallery of the Szolnok Artist Colony, Szolnok

2014      Show of the1st CarpArt International Art Camp, KERT Gallery of the Szolnok Artist Colony, Szolnok

2014      Art Colony 2014, KERT Gallery of the Szolnok Artist Colony, Szolnok

2014      Exhibition of the 4th Miszla Art International Fine Arts Symposium, Józsefváros Gallery, Budapest

2014      Picturesque Flowers – Csontváry Art Manor, B32 Gallery, Budapest

2014      Castle Terminal, Tura Castle, Tura

2014      Exhibition of NCF grantees, Várkert Bazaar, Budapest

2014                      Expectants of Light, KERT Gallery of the Szolnok Artist Colony, Szolnok

2015      Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2015      Genius Loci, Szolnok Artist Colony 2015, MANK Gallery, Szentendre

2015      Show of the Bačka Topola Art Colony, Town Gallery, Bačka Topola, Serbia

2015      Over Two Borders, show of artists from Voivodina, Limes Gallery, Komárno, Slovakia

2015      She’ll remain with us, in memory of Margit Ágotha, KERT Gallery of the Szolnok Artist Colony, Szolnok

2015      Show of the 14th Art Camp International Fine Arts Symposium, Jászberény

2015      Action Painting, Corridor Show – A Pass to a Creative World, Town Gallery, Szigetszentmiklós

2015      Exhibition of the painter supporters of the 25-year-old T-ART Foundation, San Marco Gallery, Budapest

2015      Light, B32 Gallery and Cultural Space, Budapest

2015      Living Hungarian Painting, Bálna, Budapest

2015      Reflex, the annual big show of the Szolnok Art Society, Szolnok Gallery, Szolnok

2015      Celebration 2015, KERT Gallery of the Szolnok Artist Colony, Szolnok

2016      Homo et natura, the jubilee exhibition of the 35-year-old Mezőtúr Art Colony, Aba-Novák Agóra Gallery, Szolnok

2016      Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2016      Art Colony 2016, KERT Gallery of the Szolnok Artist Colony, Szolnok

2016      Exhibition of the Mezőtúr Art Colony, Town Gallery, Mezőtúr

2016      Óbuda – Aquincum, personal paths into antiquity – 2nd Óbuda Fine Arts Show, Esernyős Galéria, Budapest

2016      ”Respect to the those who brought freedom”, the Day of Hungarian Painting, Esztergom

2016      Celebration 2016, KERT Gallery of the Szolnok Artist Colony, Szolnok

2017      Budapest Trifft Salzburg, Berchtoldvilla, Salzburg, Austria

2017      Spring Show, Gaál Imre Gallery of the Pesterzsébet Museum, Budapest

2017      9DE KUNSTTRIENNALE VAN TERVUREN Furament 2017, Tervuren, Belgium

2017      Munkácsy Prize 2017, Hegyvidék Gallery, Budapest

2017      The Szolnok Artist Colony and its Circle, Culture Centre, Martfű

2017      Show of the Open Garden Community, Shed Theatre Gallery, Viszák

2017      Art Colony 2017, KERT Gallery of the Szolnok Artist Colony, Szolnok

2017      Exhibition of the Mezőtúr Art Colony, Town Gallery, Mezőtúr

2017      Chaos and Order, the exhibition of fine artist, designers and photographers of the HACA, REÖK, Szeged

2017      Harvest of Works, Ős Kaján Restaurant Gallery, Tolcsva

2017                      64th Vásárhely Autumn Show, Hódmezővásárhely

2017      „Only faith „, Laffert Manor, Dunaharaszti

2017      Show of the award-winners of the 64th Vásárhely Autumn Show, Bartók 1. Gallery, Budapest

2017      Viszák in Vas, Vasvári Nagy Gáspár Culture Centre, Castrum Gallery, Vasvár

2017      Scientist Portraits — exhibition on the eminent representatives of fishing and ichthyology, VárMező Gallery, Budapest

2017      Minipics – Picture Pairs, Vigadó Gallery, Budapest

2017      Continuum – exhibition of the Szolnok Artist Colony, Limes Gallery, Komárno, Slovakia

2017      Visible Lack, K11 Art and Culture Centre, Budapest

2017      Show of the Senta Art Colony, Town Museum, Senta

2018      Exhibition of the Szolnok Artist Colony and the Kert group, Nagykörű Gallery, Nagykörű

 

 

Awards & Achievements:

2011                                     Kaposvári Gyula Prize, the Cultural Prize of Szolnok Town of County Rank

2007-2013           NCF grant

2015                                      Supka Magdolna Prize

2017                                      NCF grant

2017                                      Prima Prize (Jász-Nagykun-Szolnok County)

2017                                      Prize of the Hungarian Academy of Arts, 64th Vásárhely Autumn Show

 

 

 

Works in public collections:

 

Town Museum of Senta

Town Museum of Bečej

Town Gallery of Bačka Topola

Collection of the Szolnok Art Society

Damjanich János Museum, Szolnok

Vidovszky Béla Town Gallery, Gyomaendrőd

Collection of the 9+1 Stara Moravica art colony

Town Gallery of Pécs

Mezőtúr Art Public Foundation

T-Art Foundation

National History Memorial Park of Ópusztaszer

Art Indulge Foundation, India

The Mayor’s Office of Szolnok

Pesterzsébet Museum

 

 

 

Bibliography:

 

Dömötör János: A Zentai csata a Zentai Képtárban. Híd, 1997/12.

Kovačev Ninkov Olga: Zentai arcképek, festmények, szobrok, grafikák / Senćanski portreti slike, skulpture, grafike 1989-1997, Zenta / Senta, 1997.

Magyar Szó. 1981. jan. 9. written by Dobosi Irén

Képes Ifjúság. 1985. nov. 15.

Magyar Szó. Megtalálni a középutat. written by Sok Kornélia. Dec. 5, 1986, p.11

Magyar Szó. Csak az ember és semmi más. written by Náray Éva. Apr. 5, 1989, p.14

Szarajevo. Oct. 1990

Nord Magazin. 1991. Nr.2 Márz/April. pp. 48-53. Hamburg

Tiszavidék. March 23, 1993, p.4.

9+1 Ómoravica 1978-2000 Kat., Moravica, 2000

Balázs Arth Valéria: Verebes György, KMML, 3. k.Bp.,2001

Kortárs Magyar Művészeti Lexikon.

Az új évezred kihívásai. Uoči novog milenijuma. A Jugoszláviai Magyar Művelődési. Társaság IV. tematikus kiállítása /. IV.tematska izložba Družtva za mađarsku kulturu u Jugoslaviji. Kat., 2001.

Kovacsev Ninkov Olga: A vajdasági magyar könyvillusztráció 1918-2000. („Az elsüllyedt jelek” I. A 20. századi magyar könyvillusztráció Magyarország határain kívül 1918-tól napjainkig, Bp.,2003)

25 éves az Ómoravicai 9+1 Művésztelep 25 godina Umetničke kolonije 9+1 u Staroj Moravici. Kat. (2003)

9+1  Ómoravica 2003-2004. Kat.,2004

Délvidéki Magyar Képzőművészeti Lexikon, pp. 640-641., ed. by Balázs Arth Valéria

Mozgó Világ. Sept. 2007. pp. 43-44

Új Művészet. Oct. 2007

Élet és Irodalom. 2007/ vol. 39

Várhely. 2007. 3-4. p. 108

Új kép. June 2008, pp. 3-5

Panoptikum. Written by Léphaft Pál. Magyar Szó. 20-21 Sept. 2008, p. 20

Arcok és kezek moll hangzatban. Written by:Gruik Ibolya. Magyar Szó. 27 Sept. 2008

Nyx fedetlen nyakának íve. Written by Léphaft Pál. Magyar Szó. 27 Oct. 2008

Magyar Hírlap. 17 Oct. 2008, p. 9

Balázs Attila: Titánok földjén (avagy csodálata azoknak, kik mertek festővé lenni). Eső – Irodalmi lap, 2009/ autumn p. 104

Gruik Ibolya: Alvó titánok. Magyar Szó. Új könyv. 16 May 2009

Samu Kornélia: Alvó titánok. Magyar Szó. 9 Nov. 2009

Valkay Zoltán: Képek és szobrok villannak pásztortűz gyanánt. Magyar Szó. 14 Nov. 2009

Sinkovits Péter: Alvó titánok. Magyar Szó. Üveggolyó. 21 Dec. 2009

Szabó Palócz Attila: Bölcs titánok megtisztulásáról. Magyar Hírlap. 2 Jan 2010, p. 15

Feledy Balázs: Lélekfestmények. Vas Népe. 8 Sept. 2012

Atelier Magazin. 2016/3. p. 22

Füredi Anikó – Hompola Krisztina: titánoktól titánokig. Orvosok / művészet, tudomány, élet. Teva Magyarország. 2016/winter

Alkotóművészet 2016. MANK Magyar Alkotóművészeti Közhasznú Nonprofit Kft. p. 34, p. 80

Gruik Ibolya: Küzdelemnek Véget Vető. Magyar Szó. 8-9 Apr. 2017, p. 23

Palágyi Edit: Művésztelep tárt kapukkal. Szabad Föld. year 73, vol. 15, 13 Apr. 2017, p. 6

Medvecky Attila: Belülről épülő látvány. Magyar Fórum. year XXIX, vol. 16,  20 Apr. 2017, pp. 10-11

Dr. Hóvári János: Alvó titánok a XXI. században. Verebes György művészetéről. Magyar napló.  year XXVIII, June 2017, p. 17

 

 

 

 

Lead glass work:

 

Francis Xavier Chapel, Szolnok

 

 

Publications:

 

Trafikok. Eső – Irodalmi lap, 2008/summer

Az ég vize. Eső – Irodalmi lap, 2009/ autumn, p. 58

A város, a hősök és három király. Sváby Lajos rajzaihoz. Eső – Irodalmi lap. 2009/winter

Pont, most. Eső – Irodalmi lap. Palkó Tibor rajzaihoz. Eső – Irodalmi lap. 2010/spring

Wie geht’s, vigéc? Eső – Irodalmi lap. 2010/summer

A csoda helye. Eső – Irodalmi lap. 2010/winter

Ilyen egyszerű. Eső – Irodalmi lap. 2011/spring p. 96

A rajzoló. Eső– Irodalmi lap. 2011/summer p. 85

Amit kell, és amit nem kell mondani. (Csurgai Ferenc művészetéről). Eső– Irodalmi lap. 2011/autumn p. 86

Sapkáról, sálról és lefényképezésről (Háy János Háyland című könyvéhez). Eső– Irodalmi lap. 2011/ winter

Küszöbön innen és túl. (Pogány Gábor Benő szobrairól). Eső-Irodalmi lap. 2012/autumn

Három korty. Eső– Irodalmi lap. 2012/winter

A gyűjtésről (Orosz Istvánnak ajánlva). Eső – Irodalmi lap. 2016/autumn

A Szolnoki Művésztelep legújabb korszakáról. Magyar napló. year XXVIII, 15 June 2017 p. 15

 

 

 

 

 

 

Art Colonies and Camps:

Bačka Topola Art Colony

Stara Moravica Art Colony

Senta Art Colony

Bečej Art Colony

Art Camp International Art Colony

Mezőtúr Art Colony

Miszla Art Camp

 

 

 

 

Book designs, illustrations:

 

Eszmélet – cover design, 1987

Új Symposion.1989/11-12. p. 28.,32., cover 3

Magyar Szó. 31 Oct. 1992 p.11.

Magyar orvos. May 1994. Cover

Verebes Ernő: Griff. Fórum, Újvidék, 1998

Verebes Ernő: De hol van itt villamos? Fórum, Újvidék, 2002

Verebes Ernő: Magzatlégzés. Zenta, 2005

Móricz nyomában Zagyvarékason. Publication of the Zagyvarékas Municipality, 2005

Eső-Irodalmi lap. 2005/autumn

Fekete J. József: Teremtett világok. Zenta, 2006

Verebes Ernő: Árnyak a tetőtérben. Zenta, 2007

Eső–Irodalmi lap. 2008/summer

Eső–Irodalmi lap. 2009/autumn

Eső- image design. 2010

Verebes Ernő: Előbb még örök. Zenta, 2010

Jenei Gyula: Az időben rend van, Fiatal Írók Szövetsége, Budapest, 2011

Jenei Gyula: Ívek és törések. Eső Könyvek, Szolnok, 2011

Műhely Kulturális Folyóirat. 2011. year XXXIV, vol. 5-6

Eső–Irodalmi lap. 2012/winter

Eső–Irodalmi lap. 2015/summer

Verebes Ernő: External. Zenta, 2015

Eső-Irodalmi lap. 2016/winter

Eső-Irodalmi lap. 2017/summer

 

 

Stage designs:

 

Slavomir Mrozek: Police, 1997, Novi Sad Theatre, dir.: Hernyák György

Verebes Ernő: Sardaffass, the he-witch, 2000, Zsámbék, Illyés Gyula National Theatre of Beregovo, dir.: Vidnyánszky Attila

Gogol: Diary of a Madman. 2010,. Szigligeti Theatre, Szolnok, dir.: Kiss József

 

 

Musical score for theatre:

 

Sybille Berg: Victor’s Life, Katona József Theatre of Kecskemét, dir.: Tóth Miklós

 

 

Music recordings:

 

Vadsanzon: Hosszú lépés. © Premier Art Records, 1998

Cabaret Medrano: Éjszakai járat. Szerzői Kiadás, 2007

Cabaret Medrano: Ez mind nem volt. Narrator records. 2010

 

 

Interior design and image design:

 

Korcsma Piszkos Fredhez restaurant – 1990, Budapest, VII. Osváth u.

Black & White club – 1991, Budapest, VII. Akácfa u.

Old Man’s pub – 1994, Budapest, VII. Akácfa u.

Petroleum café – 2004, Kistelek

Kanyar beerhouse, club – 2006, Mezőkomárom

 

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